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Thus lovely, and thus veiled in obscurity, were the daughters of the noble Mazzini. But they were happy, for they knew not enough of the world seriously to regret the want of its enjoyments, though Julia would sometimes sigh for the airy image which her fancies painted, and a painful curiosity would arise concerning the busy scenes from which she was excluded. A return to her customary amusements, however, would chase the ideal image from her mind, and restore her usual happy complacency. Books, music, and painting, divided the hours of her leisure, and many beautiful summer-evenings were spent in the pavilion, where the refined conversation of madame, the poetry of Tasso, the lute of Julia, and the friendship of Emilia, combined to form a species of happiness, such as elevated and highly susceptible minds are alone capable of receiving or communicating. Madame understood and practised all the graces of conversation, and her young pupils perceived its value, and caught the spirit of its character.,

As she spoke she raised her eyes, which beamed with truth and meek assurance to heaven; and the fine devotional suffusion of her countenance seemed to characterize the beauty of an inspired saint.,

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Towards the close of the sixteenth century, this castle was in the possession of Ferdinand, fifth marquis of Mazzini, and was for some years the principal residence of his family. He was a man of a voluptuous and imperious character. To his first wife, he married Louisa Bernini, second daughter of the Count della Salario, a lady yet more distinguished for the sweetness of her manners and the gentleness of her disposition, than for her beauty. She brought the marquis one son and two daughters, who lost their amiable mother in early childhood. The arrogant and impetuous character of the marquis operated powerfully upon the mild and susceptible nature of his lady: and it was by many persons believed, that his unkindness and neglect put a period to her life. However this might be, he soon afterwards married Maria de Vellorno, a young lady eminently beautiful, but of a character very opposite to that of her predecessor. She was a woman of infinite art, devoted to pleasure, and of an unconquerable spirit. The marquis, whose heart was dead to paternal tenderness, and whose present lady was too volatile to attend to domestic concerns, committed the education of his daughters to the care of a lady, completely qualified for the undertaking, and who was distantly related to the late marchioness.

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Julia, on recovering her senses, found herself in a small room, of which she had no remembrance, with her maid weeping over her. Recollection, when it returned, brought to her mind an energy of grief, which exceeded even all former conceptions of sufferings. Yet her misery was heightened by the intelligence which she now received. She learned that Hippolitus had been borne away lifeless by his people, that Ferdinand was confined in a dungeon by order of the marquis, and that herself was a prisoner in a remote room, from which, on the day after the morrow, she was to be removed to the chapel of the castle, and there sacrificed to the ambition of her father, and the absurd love of the Duke de Luovo.,

“Yes. Isn’t it interesting, Aunt Grenertsen? Isn’t it a beauty?”,

The view of this building revived in the mind of the beholder the memory of past ages. The manners and characters which distinguished them arose to his fancy, and through the long lapse of years he discriminated those customs and manners which formed so striking a contrast to the modes of his own times. The rude manners, the boisterous passions, the daring ambition, and the gross indulgences which formerly characterized the priest, the nobleman, and the sovereign, had now begun to yield to learning—the charms of refined conversation—political intrigue and private artifices. Thus do the scenes of life vary with the predominant passions of mankind, and with the progress of civilization. The dark clouds of prejudice break away before the sun of science, and gradually dissolving, leave the brightening hemisphere to the influence of his beams. But through the present scene appeared only a few scattered rays, which served to shew more forcibly the vast and heavy masses that concealed the form of truth. Here prejudice, not reason, suspended the influence of the passions; and scholastic learning, mysterious philosophy, and crafty sanctity supplied the place of wisdom, simplicity, and pure devotion.,

"Well, if you will be a good girl, I will undertake that you shall go." She took her into her room, and said to her, "Go into the garden and bring me a pumpkin." Cinderella went at once, gathered the finest she could find, and brought it to her godmother, wondering the while how a pumpkin could enable her to go to the ball. Her godmother scooped it out, and, having left nothing but the rind, struck it with her wand, and the pumpkin was immediately changed into a beautiful coach, gilt all over. She then went and looked into the mouse-trap, where she found six mice, all alive. She told Cinderella to lift the door of the mouse-trap a little, and to each mouse, as it ran out, she gave a tap with her wand, and the mouse was immediately changed into a fine horse, so that at last there stood ready a handsome train of six horses, of a beautiful dappled mouse-grey colour. As she was in some difficulty as to what she could take to turn into a coachman, Cinderella said, "I will go and see if there is not a rat in the rat-trap; we will make a coachman of him."